Pop Up Shops, and Art Incubators: A New Way to Utilize Urban Space

Last year I had the chance to talk to Lawrence Gibbons, plus some other concerned inner-city cats, about the sad and sorry decline of Oxford Street, Sydney's original Golden Mile. I must have missed this story while I was away in my 10 years in Japan; when I left Sydney in 2000, Oxford Street was one of the trendiest parts of the city, and certainly one of the most colourful. Nearly every March I would cram in with the throngs on the side of the road, shirts off and hopping, as the Mardi Gras floats made their hectic way beneath the rainbow flags. Mardi Gras is still held every year, but it doesn't seem the subversive festival that it used to be... perhaps somehow it is a little tired? Or maybe I am the one who is tired of it! Furthermore, back in the day, Oxford Street was the place you picked up imported dance music, trance and techno, drum&bass; throbbing beats spilt up dark stairways, out of shopfronts on to the pavement, promising rare treasures. I am sure those record stores are still around, but surely they must be a little redundant now, in this age of the digital download? Who wants to spin vinyl these days, anyway, when there is a whole universe on your iPhone? Who buys clothes on Oxford Street, when the prices in Australia are so obscene? According to Lawrence Gibbons, president of the LOVE 2010 Business Partnership of local businesses, there has indeed been a retail flight from the Golden Mile, and a collapse in daytime trade. Oxford Street still rocks at night, perhaps even more so than ever... but it takes more than pubs and clubs to make a community, Gibbons reckons. Exacerbating the problem, the Roads and Traffic Authority (RTA) treated the Golden Mile like a thoroughfare, with cars and buses flying along it out of the city, to Bondi.

Oxford Street, Sydney's famous "Golden Mile" (Australia, 2005)

Sydney's Lord Mayor Clover Moore (the woman they should not ignore) agrees that Oxford Street is in a bad state, and said she sees art as being part of the solution. "It is a centre of intense night-time activity yet suffers from perceptions of a lack of daytime trade, imbalance in the business mix and safety issues," Moore said in a 2011 mayoral minute. "The intensity of daytime traffic, which includes more than 200 buses per hour, and exacerbated by RTA's removal of parking and creation of clearways, also severely impacts on Oxford Street as an attractive destination." Another mayoral minute put out in 2011 goes on to say: “Artists living and working in an area bring a vibrancy, diversity and bohemian feel. Due to the high cost of living, gentrification and increases in the rental market artists are being forced out of the City. The City of Sydney owns a number of buildings in the Oxford Street Cultural Quarter that may be appropriate for conversion into use for the creative industries as retail, studio and exhibition spaces.”

In line with this vision, the City has announced cheap rents for artists in 16 underused areas on Oxford Street. On top of that, enterprising creatives are colonising otherwise vacant spaces with a new style of retail, known as the "pop up shop". This year we have seen, springing up like beautiful weeds in a discarded parking lot, pop up cafes, pop up boutiques, a pop up Nike outlet, and now the most innovative of them all, a Pop-up indoor camp site. These shops and cafes and urban camping sites are not supposed to last forever; they are meant to be ephemeral.

There is something Hakim Beylike in this process of moving into the cracks and crevices, left empty by the retreat of High Capitalism, and creating something beautiful. Even especially if they are fleeting. Pop ups are transitory, nomadic, Vagabondist... just like me really! Now, I know a Nike outlet might not exactly satisfy Bey's vision of the Temporary Autonomous Zone, but I still think it is kind of cool. A lot cooler than parading around on Mardi Gras, anyway, pretending that you are changing the world!

Greenland's Vikings, Victims of Climate Change

I have been reading a lot lately about the vanished Vikings of Greenland, how they just disappeared from the history books in the Middle Ages, never to be heard of again. I have been thinking a lot about them recently, those Europeans who for a couple of centuries eked out a civilization on the edge of the Arctic, trading in walrus ivory, worshipping in churches... they seemed to be flourishing and then one day they went MIA like the crew of the Marie Celeste, or those jet fighters swallowed by the Bermuda Triangle. It is worth pointing out at this point that I am in fact Australian, and thus hail from another European colony which was transplanted with all things Christian and European onto a barren, alien land, and left there to fend for itself. The Australian experiment worked, however -- the Greenland experiment didn't (at least not for the Vikings LOL!) Interestingly enough, Climate Change was the major culprit in the Greenland Vikings' demise -- not the Anthropogenic Global Warming we are (apparently) confronting now, but rather the Global Cooling of the Middle Ages (whose cause is still a matter of conjecture). Southern Greenland, once as verdant as its name suggests, presently chilled, then got snowploughed beneath a slowmotion avalanche of ice. The Vikings were snapfreezed out of existence; their neighbors the Inuit, who had migrated into the region at about the same time, somehow managed to adapt, and survived. Perhaps a similar fate awaits Australia in the future -- the white civilization which has ruled the roost for 200+ years will be forced to retreat from waves of heat and drought and searing fire, and the longsuffering Aborigines will crawl out from the margins to repossess their beloved homeland. History has a strange way of working like that. You never can really tell who is going to win the race, and revolutions are all too frequent. Gods hold grudges, and patiently plot their revenge. The laws of physics cannot be ignored, and neither can the science of Symbolic Exchange. Thus we have been warned! Thus we will be warmed.

Greenland is on the path to independence from its colonial master Denmark, and now has its own flag and a new name, Kalaallit Nunaat

Anything can happen in life, and history is full of sudden reversals. Global Warming could well be just a beat-up, the latest strain of the Armaggedonist virus whose DNA was identified in the Year 2000 bug, SARS and the Bird Flu Epidemic, and which has consistently frightened more people than it has actually harmed (infecting them not through physical germs but rather exposure to sensationalist reports on TV and the like.) I believe these hysterias are in fact media viruses, and mark a mutation of the virus from the physical world in which it has proliferated for billions of years, into the Baudrillardian mediaswamp we humans now inhabit. We're going to have a lot more media viruses in the future, that's my theory at least! Some people just love to think the world is about to end, and indeed such a deathwish is built into the mythology of the capitalist system itself. How it works is like this: somewhere in the "real" world (eg, China, Vietnam, Africa, anywhere Third World) a new virus arises in animals and kills a handful of people, triggering a pandemic alert. The media, ever hungry for a good scare story, jumps on to the case, and proclaims that the end of the world is nigh. What WHO fears is that the virus will jump the species barrier, but actually a more profound evolutionary leap is taking place: the virus is becoming digital. Panic takes on a life of its own, and becomes viral... this is how the pandemic spreads, this is what gives it energy. There's a run on flu vaccines... everyone on the streets of East Asian megacities are suddenly wearing surgical masks. Little do the masses know that it's too late, they are already infected! Their masks aren't protecting anyone, they are in fact amplifying the fear, broadcasting the infection! The best response would actually be to chill out, and ignore the doom. Or at least maintain a skeptical distance. That's what I would do, but then someone would accuse me of being irresponsible...

Look, what I am trying to say is this: Climate Change could be real, and could well be hype... but the extinction of the Greenland Vikings is a historical fact, and I find myself strangely haunted by their disappearance. Recently I thought to myself: imagine if the colonies had survived and the fjords of Greenland were now sprinkled with colorful, asymmetrical cafes and bulging nightclubs and bars; imagine if every young Greenlander today dreamed of being a poet or an anarchist or an artist or a rock musician? In other words, what if Greenland had developed into a New Iceland or a somewhat edgier, more tribal take on the Faroe Islands? Wouldn't that have been awesome, wouldn't that have been totally cool? Not politically correct to contemplate, but an interesting thought experiment nonetheless. I must confess though that Inuit Greenland has turned out pretty swinging in its own way, and the music scene is just as vibrant there as it is in Iceland, from what I hear. Nonetheless, I can't help myself from thinking: imagine if the Vikings had survived, imagine what Greenland would be like today? And I wonder: maybe the green days of Greenland are on their way back, after a long bitter winter? Spring is dawning in the Far North of the planet, and the Day of the Inuit is arrived. How I'd love to be part of it somehow. If I had any money, that is where I would be investing it! 

Food, Fashion and Fetish in Newtown, the Swinging Soul of Sydney

Every major city in the world has a neighborhood where all of the local personality and lifeforce gets channeled, concentrated laser beam style, then finally ignited into a sun which is singular and eccentric, but also radiantly representative of the metropolitan ethos as a whole. Some cities, of course, have more than one such neighborhood -- in Tokyo there are for example at least two places where the Japanness of Japan gets pushed to its logical extreme, and beyond: one is the anime antnest of Akihabara, the other the Cosplay chickland of Harajuku, by Yoyogi Park. Some cities (eg, Reykjavik, Copenhagen, Amsterdam) are so far ahead of the times it is hard to find a precinct inside them which isn't progressive or kooky cool. Sydney, the capital of the south Pacific, is endowed with only one world-class Bohemia (in my opinion), but it is a brilliant Bohemia nonetheless. The place is called Newtown, and it was recently dubbed "Sydney's most creatively well endowed suburb" by the counterculture Sydney City Hub newspaper. For as long as I can remember, it has long been one of the food, fashion and fetish focal points of the city. The amazing thing is, Newtown is not reflected on any tourist/traveler radars, as far as I can see. Then again, the places which fly under the radar are usually the best places to explore, so perhaps it is fitting that Newtown remains a dark star, known only to the locals. If your aim is to get a feel for the gritty reality of modern Australian life, don't go to Darling Harbour or the Opera House, those places don't live. Newtown is the place to visit, it has a soul, and epitomizes the Australian personality! It won't disappoint you, I promise. I'll stake my reputation on that. Unlike other famous parts of Sydney (for example Bondi Beach), the ocean exerts little influence here. Instead, as in Melbourne, people turn to the streets for their entertainment. Restaurants, shops and pubs are the principal methods of diversion. You can shop for vintage clothes, or see a hard rock band, or have hot wax poured on your nipples at an S&M haunt. All the bands in Australia have names starting with the article "the", it has become something of a cliché. I've never really understood why.

Nonetheless: one thing you have got to keep in mind is that while Newtown is by far the most Bohemian district of Sydney, it is different from Bohemian communities elsewhere in the world. This is Australia after all, and the Australian personality still shines through -- perhaps even more blindingly than out in the Burbs. Along with Darwin, this is one of the last surviving outposts of the classic Aussie larrikin. Instead of openly rebelling against the basic Australian personality, as you might expect, Newtown folks caricature it, camp it up, and basically push that personality to its logical extreme, in the process transcending it. Take the issue of fashion, for example. Australians have always been decidedly daggy dressers, and many honestly don't give a damn how they look ("it is fashionable not to be fashionable," my mate Garnet Mae once complained). In rebelling against this, you might expect the subcultures of the inner-city to go the other way, and embrace European style haute couture, to prove they have more taste than the slobs out in the suburbs. That is indeed what happens, in some quarters (like Surry Hills). The Bohemians of Newtown, however, prefer the natural look -- sans shirt, bare feet, the potency of body odor. Whatever gets you closer to Mother Earth, that's what they go for. Now in an already laid-back society, one might think this is a strange way for a supposedly contrarian subculture to express its sartorial instincts. Like the anime addicts of Akihabara, like the Cosplay chicks of Harajuku, the Newtownians knows that the really contrarian way to rebel is not to oppose diametrically, but to mimic to the point of excess. Not just to ridicule, but to take ownership of the dominant culture, and live it the way it was supposed to be lived, before it got corrupted by The Man. Like the urban tribes of Tokyo, the Bohemians of Newtown know this is how you win the culture wars, this is how the real jihad should be waged. Once you stop attacking the dominant culture and start appropriating it, with a gleam in your eye which suggests you were never against it to begin with, the rules of the game are abruptly changed. You cease being silly freaks on the margins, bereft of influence and power, and recast yourselves as true disciples, the Guardians of the Way. Your way is not the alternative but in fact the Only Way: the Tokyo way, the Japanese way, the Australian way, whatever the paradigm that you are seeking to overthrow. In short, you subvert the system from within, by becoming the system, wearing it like an old coat. Or a pair of faded board shorts, if you happen to live in Newtown.

"I have a dream": Martin Luther King tribute in Newtown (Australia, 2007)

Earlier this month I was down in Sydney for a few days, catching up with old friends, and staying with the aforementioned Garnet Mae, slumlord and director of such no-budget movies as Meat Pie (the one in which a guy with a penchant for kitchen appliances goes too far, loses his organ, and requires an urgent transplant!) I used to run with Garnet back in our uni days, and he introduced me to a lot of Sydney's prized jewels, Newtown among them. This was impressive, as we went to university at Bathurst, 200 kilometers to the west. We had plenty of breaks, however, and I used to enjoy cruising around Sydney with Garnet and his crew on spare weekends, sneaking into concerts, jumping the back fence into raves and festivals, getting into general mischief. One weekend we traveled all the way from Bathurst to Newtown to visit The Kastle, which was becoming infamous back then. I don't know why they called it The Kastle. The Dungeon would have been more apt a name. Sinister looking entrance -- just an anonymous door on a graffiti-splattered backstreet. Kind of looked like an abandoned warehouse. Enter inside and suddenly it was warm and there were tonnes of guys with thick mustaches wearing black leather, dark techno on the decks (this being the early 1990s!), and girls in latex and fishnet stockings. I was expecting it to be a nightclub, but it was more a theater... a theater of cruelty to be precise. Name your vice, it was here: bondage, submission, punishment, BDSM. We were there with our Bathurst bro Stu Ridley and his girlfriend Fiona, and possibly our flatmate Katja, who had accompanied us on the long ride in the car, over the mountains. We were there mostly out of curiosity, but I suspected Stu might have had more questionable motivations. He seemed to be in too much of a hurry to get his shirt off out on the dancefloor, waving his hands in the air, sweat flying out from his orange hair. From time to time the music stopped and a little performance was put on by the staff, a tableau in our midst: there was a shirtless man strapped to a rack as a Dominatrix flexed her whip, waving its strands over his nostrils menacingly, or possibly a guy and two girls engaged in a threeway kiss. It might have been a freak show for Fiona, for Katja, and for Garnet and I, but Stu seemed to be taking an earnest interest in proceedings. He was getting into it a little too much, methought. Suddenly I realized: wasn't it his idea that we came here tonight? Somewhere in the early hours, quite a few drinks later, the music paused one last time and the curtains rose on the final act: a spot of candle wax play. This time around, they put out a call for volunteers. I dug myself back into the crowd ever so slightly, concerned someone might nominate me for the role. I needn't have worried; standing next to me, Stu stuck his hand up, and submitted gleefully for the ordeal. They strapped him up to the rig, handcuffed him, and fitted him with a blindfold. The crowd was going nuts, gay couples nodding their approval, Fiona looking a little embarrassed (or was that pride in her eyes?) A domme stepped forward, and with a theatrical flourish commenced dripping hot wax all over Stu's chest. He grimaced in pain, but there was still a smile on his lips. Where did that come from? I wondered. Who was that for? Looking back on it all, it seems obvious this moment marked a turning point in his life. The beginning of his descent, in fact. If only I could have predicted it at the time!

That was 1993, 14 years ago. I don't know if the Kastle is still around, or what Stu Ridley is doing these days. I'm walking on King Street, the spine of Newtown, whiling away some hours while Garnet is at work, hustling customers on the phone. It's a grey day; the sun is struggling to break through the clouds. At 305 King Street, I stop to admire an iconic piece of street art: the Martin Luther King mural painted by the anarchistic Unmitigated Audacity Productions in the early 1990s. Not quite Banksy, but it is as good as it gets in Sydney. I don't know if the Gothic typeface is appropriate, but it would probably make for a good tattoo. It's about lunch time, and I am feeling peckish. There is certainly no shortage of culinary choices in this vicinity, with Thai eateries, Turkish pide joints, and even an African restaurant all within spitting range. I am actually hankering for Bondi-style Portuguese chicken, which I find at Oporto, on the adjacent Enmore Road, the other side of the railway tracks. I know it's fast food, but I don't care. It's soul food to me, and you can't find anything like it in Japan. I eat a burger and chips, as the wind blows garbage around in a nearby parking lot, and diners watch sport on an in-restaurant TV. I would love to sit and chill, but I have things to do. Hunger satiated, I return to King Street, to take a walk on the wild side.

One of Sydney's entertainment icons, the Sandringham Hotel, at 387 King Street (Australia, 2007)

Newtown is packed with entertainment venues, among them the Bank Hotel, the Coopers Arms Hotel (221 King Street), the Enmore Theatre (52 Enmore Road), the Dendy Cinema, and the Sandringham Hotel (387 King Street). If you want find out what is happening in Newtown, click the Newtown Precinct Page for details. In a newspaper article quoted on the page, Pam Walker writes:

Newtown has long been home to large numbers of visual artists and writers. In the 80s it was the hub of independent music with many a band paying its dues in pubs like the Sandringham. 

Now the area has become the cradle for the performing arts, actively nurturing young playrights, actors and dancers. So exactly what is about Newtown that attracts the creatively endowed? 

The Enmore Theatre's Greg Khoury says that the suburb's artistic leanings go back a long way. In fact, Newtown has thrived since its inception as an artistic outpost to Sydney in the late 19th Century. 

It is too early in the day for a drink, so I walk on, past the pubs. Me being me, I decide to check out the herbal shops. I'm looking for a legal way to get stoned. It's been so long, and I always associate Sydney with smoking a bong. I go inside one business, and locate a pack of dubious goodies called "Tribal Trance", or something similar. The proprietor assures me it will do the trick, but I am not convinced. These synthetic marijuana products are always rubbish, in my experience. Still, I have money in my wallet from my new job in Japan, so I figure it should be worth a try! I buy a bag for AUS$20. And I think to myself: Why is everything in Australia so expensive these days?

U-Turn Recycled Fashion, at 2 Enmore Road, Newtown (Australia, 2007)

Along with herbal shops and their New Age cousins, there are plenty of fashion retailers in Newtown. Suitably enough, many of them specialize in the vintage/recycled/classic end of the market. As I discussed above: appropriate the dominant paradigm, and wear it like an old recycled frock. That's how the game should be played! Some of the boutiques to be found include Kita Vintage Clothing (Shop 2503 King Street), and the local outlet of U-Turn Recycled Fashion (2 Enmore Road).

Exclusive Vintage Clothing, at 383 King Street, Newtown (Australia, 2007)

Just a U-turn around the corner from U-Turn, back on King Street, sits one of the landmarks of the Sydney vintage clothing scene: Exclusive Vintage Clothing (383 King Street). As the Sydney Morning Herald newspaper reported in 2004: 

Sydney's hunger for vintage and secondhand clothes has fuelled a 15 per cent profit surge for the Salvation Army's retail stores in the last 12 months. 

The workers hit the clearing house floor, sorting the hundreds of thousands of tonnes of clothing that arrive each year. 

The best clothes are sent to the Salvation Army's inner city stores - in Darlinghurst, Glebe and Bondi Junction - where prices and turnover are higher.

Meanwhile each morning, between 20 and 30 wholesale buyers wait for up to an hour outside the Salvation Army's Minchinbury and St Peters factories. They buy damaged or stained clothes which are then cleaned up and sold at marked-up prices at the Paddington, Glebe and Bondi markets or in commercial second-hand stores in Surry Hills and Newtown...

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Techscapes and Macrobiotic Highs: An Afternoon in Aoyama

Tokyo is the ultimate urban jungle and life here presents you with endless vistas of cunningly contrived concoctions of glass, concrete and steel, everywhere you look, and seemingly everywhere you go. Whether downtown or in the 'burbs, at home or on the streets, futuristic scenes surround you, seduce you, and astound you to the extent you start to feel like you're the star of your very own Blade Runner fantasy, playing in a cinema in another dimension. Futurism is the name of the game here, the dominant architectural theme, and it has been entrenched for so long it has written itself into the fossil record of the city, as well as the DNA of its inhabitants. It's a shrine to speed, a temple to technology; frenetic as a Drum&Bass track, and just as relentless. Sometimes it is just all too noisy, and all too totalitarian, and you long for a bit of old fashioned peace, a bit of the original 和 ("harmony", the former name for Japan). Interestingly enough, not all of the futurism in Tokyo is new, and some of it looks decidedly dated... that might seem paradoxical until you realize that futurism is a movement not an era, and tomorrow is a day that never dawns. Follow the tracks of the Yamanote Line between Kanda and Akihabara, for example, and you will find older incarnations of the genre, pylons, noodle shops dug under the train lines, slabs of concrete corroded by rust, untidy bundles of wires strung up wherever they will hang, and archaic air-conditioning vents spinning in the morning humidity... pretty it ain't but back in its time this was probably the most high-tech place on Earth, and the very vision of a glorious future. Who were the dreamers who imagined this city into being? I ask myself sometimes, when I am wandering around, what inspired their stupendous leap of imagination? If futurism is just a style, in other words, who invented it, and why? I believe that the official Futurism, the one that gets a capital F, was an Italian artistic movement, an anarchist movement of sorts with Fascist complications, which flared into life in the early 20th Century. Leading proponents of the movement, notably Filippo Tommaso Marinetti, Giacomo Balla, and Umberto Boccioni, glorified fast cars and rogue locomotives and good factory mud, scorned women, proclaimed that war was "the world's only hygiene", and proposed a Khmer Rouge style solution to the "problem" of tradition. According to the Futurist manifesto and the manifestos which followed, museums and libraries should be burnt to the ground or drowned, and the city torn down and built again, from scratch, by every new generation. "Time and Space died yesterday," Marinetti wrote in the first manifesto, published in 1909. "We are already living in the absolute, since we have already created eternal, omnipresent speed." I don't know if there was any direct link between the European Futurists and Japan, although the Axis would later lead them into an ideological marriage, for a short time at least. Perhaps it doesn't matter whether there was a connection or not, this might rather be an example of synchronicity, of the Jungian kind. The way I figure it, in modern societies we all have a vision of how the future should look, each according to our own hopes and fears: it could be hyper-consumerist, neo-communalist, conformist, the brainwashed masses of 1984, or the individualist paradise symbolized by the jetpack and the Martian colonies in the works of Robert A. Heinlein. Others might imagine a world which is pacifist, Deep Ecologist, or perhaps populated by Mad Max warriors roaming the deserts fighting Google and its cyborg spawn. Disparate visions these are indeed, but where they intersect collective dreams emerge, lowest common denominator blueprints: in our case rockets and the atomic bomb, freeways and the motorcar, more recently celebrity culture, TV, and the Internet. Everything shiny and sci-fi, mind you, everyone air-brushed and glittery (and on that matter, note that you never see rust on The Enterprise. Nor do they have any astrologers or Feng Shui geomancers on the bridge! Why is that? What kind of technocentrism is being pushed?) In Asia, things turned out shiny and sci-fi, too, but much of the detail is different. Why so? I speculate that there was in fact a homegrown futurism in Japan, a Zen/Shinto futurism, which culminated not just in the Mitsubishi Zero, but also Doraemon, Gundam, anime, and all these self-flushing toilets you find here today. Futurism may have dreamed of demolishing the ancient cities of Europe but it never succeeded there, the sway of the past was too strong. Tokyo, on the other hand, has always been a city in constant flux -- a chaotic frenzy of construction and destruction -- and Marinetti's Year Zero fantasies finally found their realization beneath a Pacific sky. Accordingly, I consider Tokyo to be one of the world's foremost "techscapes" -- an environment in which the landscape has been totally subsumed by the laws and logic of the megalopolis, and the technology which enables it. It is also a city so detailed, but yet so vast, you could spend years here and keep making amazing discoveries. I discovered something amazing today, actually, with my old girlfriend Akiko: the new Prada showroom in Aoyama. The latter half of this post concerns that discovery. A little earlier in the day, Akiko and I dined at one of Tokyo's quality vegetarian restaurants, Hanada Rosso, which the first half of this post will describe. All in all it was a very cool afternoon indeed, and the coolest aspect of the whole thing is, I believe that Paper Burning made it happen. It is a bold claim, but I stand by it!

High-tech beehive: Prada Showroom in Aoyama (Japan, 2004)

Branded as Tokyo's version of Milan's Via Montenapoleone and one of the top three shopping and entertainment hubs in the city, Aoyama (青山) and the neighboring Omotesandou (表参道) precinct is jammed with quirky boutiques, cute cafes, beauty salons, and even a United Nations University campus. There are plenty of restaurants as well, ranging from sushi joints to expensive French and Turkish eateries. Today with Akiko, a vehement vegetarian, I ventured to a classy macrobiotic restaurant called Hanada Rosso. Hanada Rosso has a policy which states, uncompromisingly: "Non-meat, non-milk, non-egg, non-chemical". When the menu appeared, Akiko and I both ordered the same dish: the Tempe-Burger, a tofu contrivance costing ¥1050. Possibly I followed her lead in ordering here, I am not sure why. But it was a good choice: not only was it delicious, but it left me with a peculiar feeling of satisfaction after eating it -- a kind of purity you might say, a sense of clarity, a macrobiotic high! I felt satisfied but not full at all. Perhaps it was because this food was spiritual food, free of harmful chemicals, lovingly prepared, with no bad dead animal karma to go along with it. Or perhaps it was because of the Korean Shizandra berry smart drug I had ingested just before the date, or even just because I was so glad to see Akiko again, after all our time apart!

Vegetarians visiting Japan often complain about their problems finding suitable food in the country. John Howley maintains a list of Japanese vegetarian restaurants on his website, mentioning only 20 establishments for the Greater Tokyo area -- a conurbation of 20 million people. So, that it is roughly one vegetarian restaurant for every million people (of course, there must be many which have flown under Howley's radar, but still, you get the drift!) Japan is not a vegetarian Utopia by any means, and this fact might seem surprising given its Buddhist past and all, the veneration shown to non-animate entities such as rivers and stones. People don't go heavy on the beef like they do in Australia or the States, but there is usually a certain amount of meat mixed into every meal in Japan -- even tofu gets doused in shaved fish! For vegetarians like my Akiko, trying to educate the masses, all this meat can make life a misery. However, there are vegetarian restaurants around, and if you are in Tokyo, I would recommend a visit to the Hanada Rosso. As well as a delicious range of main courses, the menu features organic beer and wine, soy shakes and organic coffee. The restaurant is located on the second floor of the Sleeve Building, 6-11-1 South Aoyama. The telephone number is (03) 3406 1264.

Having enjoyed a memorable hour or two at Hanada Rosso, playing some personality quiz games I have lately employed for nampa, it was time to hit the streets, and look at the surrounding attractions. We walked into the nearby Idee interior design shop to admire its ample Scandinavian and European displays. It was there, looking out the window, I caught sight of a particularly weird building in the distance, a building audacious even by Tokyo standards -- a crystalline pentagonal green pyramid which Akiko identified as the new Prada showroom. Although neither of us are brand label junkies (nothing could be further from the truth), we decided to make a beeline to the hive-like Prada showroom, to see what the fuss is all about.

Designed by Jacques Herzog and Pierre de Meuron, the building rises from the street like a kaleidoscope, covered with bulbous, diamond-shaped windows. Once inside, those bulbous windows start to distort your senses, making the showroom seem both very big and very small, both at the same time! In fact, "kaleidoscopic" is the best way to describe this building, which is more a piece of art than just a mere showroom. Things always seem to shapeshift when you are inside it. While the outside is green crystal, the interior is a kind of stark white/pearl color which is both soft (in the carpet sense) and futuristic, reminiscent of a UFO. TV sets dangle on stalks from the ceiling, like anemone hunting for prey. Stairs lead to deep-set lounge recesses, where windows afford views of local landmarks, such as Roppongi Hills. It is all very cool, and I couldn't resist snapping off some photos on my keitai phone, even though I was reprimanded for it. 

We ended the afternoon at a cafe where Akiko showed me her iPod, a device I had never seen up close before. Scrolling through her Beatles collection over a Cafe Mocha, I had to confess her contraption made my own Sony MP3 player look a little bit silly, a little redundant. Such a shiny toy her iPod was, high-tech, but also organic... in many ways it was just like the organic high-tech Prada Showroom we had just explored, or a polished stone in a shrine that had miraculously come to life, and revealed its spirit to the world! Like the Tempe-Burger I had consumed earlier in the day, just like that Shizandra smart drug, this gadget seemed designed to lift your consciousness into a higher state of being. It wasn't Japanese, but it was still Shinto, and it was still Zen. It was not only Zen, but it was also a vision, and a visitor from the future. A future which, even now, is slowly dragging itself into manifestation, into being. The iPods are merely the vanguards of what is to come. Much as I hate to admit it, the vegetarians are probably much the same. Thus we have been warned. Watch this space for more!

Niu Gini on My Mind

I've been expecting 2004 to be a bummer year for travel after the heady heights I attained in 2003, the finest year of my life yet in many respects, and most especially for globetrotting. The past 12 months have seen me clambering the old stone walls of Suwon (수원), South Korea, lost in a medieval reverie; I've scoured the dunes of Tottori (鳥取) on the Sea of Japan, metal detector in hand, sand in my shoes, and a girlfriend grief in my heart, looking for buried treasure. In the middle of all that, in the golden summer of 2003, I flew with Singapore Airlines and Iceland Express all the way to a place I had always dreamed about, but never imagined I would actually reach: Scandinavia, the enchanted realm of the North, right on the opposite side of the world! It was just as mystical and as magical as I hoped it would be, and I had some wicked adventures smoking weed with the anarchists in the lovely free town of Christiana, Denmark, floating over the fjords of Norway, and then finally making landfall on the wild, windy, grassy, glassy volcanic shores of Iceland, saluted by leprechauns. All in all it was the trip of a lifetime but it did exhaust me financially, to the extent that I was living off a piece of chocolate and a cup of green tea per day by the end, walking everywhere instead of catching the bus, and sleeping at the airport (two airports, in fact) to save some kronurs on accommodation. This might sound like a miserable experience to most but I actually found it strangely liberating, and it fortified me physically, spiritually, and emotionally... it is good to push the envelope a little, and see what you are capable of! When 2004 dawned I was drowning in debt, and I resolved to tighten the belt, in every way possible. I was supposed to go back to Australia for Christmas and New Years, had a one-way ticket and all, but I had to cancel it due to a lack of funds. Poverty has been grinding hard, and I often worry about money. I look back on my adventures of last year, and ask myself: How long will it be before I can go anywhere interesting again? It's not possible, at least on my coin. And coins have been pretty much all I have been earning, the past year at least! However, when I do eventually climb out of this pit, I will have a brand new country to visit, following a discovery I made this week. 

I was at A'cross Travel in Shinjuku the other day when I found a brochure put out by Air Niugini, the national carrier of Papua New Guinea, an enigmatic Oceanic nation of six million souls just south of the equator, near Indonesia. Perusing the brochure, I noticed that Air Niugini fly from Tokyo's Narita Airport (成田国際空港) to Australia twice a week via the New Guinea capital Port Moresby. Now Port Moresby has long had a rough reputation in Australia, and I never would have picked it as a tourist destination. But living in Japan has given me a chance to start thinking outside my Australian box, and do things I wouldn't normally do. Just because Aussies do not think it is safe or the done thing generally, does not mean I ought to write the whole country off! Aussies have their own prejudices, born out of colonialism, and an often patronizing media. Anyway, while I know I am not supposed to travel for a while, when I can eventually afford it I ought to give Air Niugini a try, whatever the naysayers may say... with a stopover in their homeland! I haven't been home in a while, and I am about due for a trip there. I've done all the south-east Asian stopovers (Singapore, Bangkok, Hong Kong, etc) a million times before, I need to try something different. And sojourning in Papua New Guinea would be an introduction into an entirely new world for me -- a tribal world, you might call it, a Melanesian islander world, an Australasian world. New Guinea would offer me a glimpse of how Australia itself might have turned out, if it hadn't been overrun by white folk like me. And it would be cool to tick off another country off my bucket list, and take a host of cool photos on my trusty Malicia (who was sadly knocked out of action on the way to Iceland, and missed the parade there!)

For a relatively small country, New Guinea certainly packs a punch attraction wise. I'm thinking about them all this week, in cold, gray Tokyo. The fabled Trobriand Islands: argonauts paddling across a transparent sea, canoes piled high with necklaces, playing their endless game of pass the parcel. Coral-fringed atolls, bare-breasted maidens gathering yams and other edibles, bilum bags strung over their shoulders. Another world another world another world. A whole society powered by magic: a wizened farmer fertilizes the soil with incantations. Vilamalya (magic of plenty), gift and counter-gift, the taboo of accumulation. I have heard there are parts of New Guinea where the locals don't use money, and the economy resides totally on barter. With all my recent woes, maybe I ought to emigrate there! The Highlands: jagged, snow-topped mountains rearing from the jungle, volcanoes simpering in the mist. Headhunters, tribes of people living in trees. Madang on the north coast, jewel of the South Pacific, shaded by casuarina trees. I'm thinking all about these places tonight, and doing some research on the Internet. As this week ends in frigid Tokyo, "Niu Gini" is definitely on my mind!