Asakusa Food: 11 of the Most Fabulous Restaurants and Cafes!

When I first arrived in Asakusa, money was too tight to mention. I had overextended myself in Sumatra and Singapore on the way to Japan, and I was also having trouble accessing my credit. Finding work in Tokyo hadn't proved too difficult, but getting paid was. Fortunately, I was staying in one of the cheapest places in Asakusa, with a master of austerity. The proprietor pointed out plenty of local bargains, for example the infamous beef bowl round the corner (¥280 for the regular size). There was an Ethiopian guy at the ryokan who was hardbudgeting, eating every meal at Yoshinoya, or occasionally picking up a cutpriced bento box. I might have been short of cash, but I wasn't quite that desperate yet... I supplemented my diet with Mos Burger and sushi... (For the full review of the Asakusa dining scene, click here.)

First Impressions Mean So Much

Thailand was the first foreign country I ever visited, when I was just 19 years-old. I don't believe I will feel culture shock as cutting or as cool as that ever again, unless I manage to travel to an alien planet, or at least to sub-Saharan Africa!

It was late 1992, and I was en route to the Middle East with my man Garnet Mae. We had a couple of days to kill in Bangkok, awaiting our Turkish Airlines connection. Arriving in the dead of night at the city's old Don Mueang International Airport (ท่าอากาศยานดอนเมือง), we decided to proceed to the Khao San Road guesthouse area, with a mad Englishman and Irishman to split the taxi fare.

It was my first night in Asia, and everything about the place amazed me.

The heat, the nonchalance with which the taxi driver careered us through the traffic, the lack of functioning seatbelts. The humidity, whole families hanging out of the back of pickup trucks (they may well have been SpaceCabs, or at least some precursor to the SpaceCab invasion.) 

Throngs of people on the streets, despite the fact it was nearly midnight. Gridlock and pandemonium, and what made it even more surreal, was that the taxi we rode inside was an exact replica of my Dad's blue Holden Commodore (I later discovered that they were both Golf rip-offs.)

That said, my Dad never gunned his Commodore down the wrong side of the road the way our Thai taxi driver did that night, cursing his fellow motorists. I hung on to the roofstrap for dear life as we shuttled through ever shabbier and more colorful districts, into the Old City. Trees were wrapped with strings of blinking lights, while behind them, vast billboards rose advertising Japanese and American firms. We were all convinced that the taxi driver was going to rip us off. When he finally pulled up on the kerb and announced that we had arrived at Khao San Road, none of us believed him.

Getting out of the car, I was startled to see some Thai police leading a shirtless guy past us, bound by handcuffs and covered with tattoos.

And I thought to myself: What kind of country is this?

I did not know it at the time, but at the head of Khao San Road there stands a massive (and apparently historic) police station. Anyway, after spending nearly 8 years in Asia now, guys in handcuffs no longer alarm me. I have even worn them myself on the odd occasion, and played the role of the scary criminal on the great stage of life.

I have loosened up, and Khao San Road no longer scares me.

But will it fascinate me again? that is the great question, as I await my next trip there, in just a couple of weeks. I am not a virgin anymore, sexually and travelwise, and I know that the first time is always means much more, than the 2nd or 3rd time around (let alone the 8th or 9th)... (For my evolving guide to Bangkok's Golden Mile and what you can find there, click here.)

Islands in the Stream

There was a unique alignment of the planets yesterday presenting me a rare treat, and an entirely free Saturday with no classes to teach at either Ichinoe or Taito Ward. I had known already that Riki-kun and his mother would be on holiday in Okinawa (沖縄), so when I received an early phonecall from Kobayashi-sensei informing me that the lessons at Kidea were also cancelled, I felt pretty pleased. I fell back into my futon, savoring the opportunity to sleep in. An hour or two later, Nonomura-san called too, to say that her students were unable to study. I jumped out of bed, eager to seize the day (What should I do? what should I do?) Hang out with Maniac High, or explore my new 'hood, which I am slowly beginning to appreciate, and accept. I opted to go for a walk, and return to the river which had enchanted me a few weeks' previous, on my last totally all day off. Maniac High could wait, I reasoned. I needed time off, to get in touch with some of my older habits.

Edo River (江戸川) is one of the most storied waterways of the city, and it passes within half a kilometer from my apartment on its voyage to Tokyo Bay. It is the river which gives my ward its name, and its banks are pocked with baseball fields, baseball being of course the most popular sport in Japan. As it was a Saturday many of those fields were in use, young kids swinging their bats or fooling around on their bicycles, or driving remote controlled cars. I tramped past them all, following the floodplain (江戸川病院前野球場) roughly north, before ducking under the tracks of the Chuo-Sobu Line, to cross the Ichikawa Bridge into Chiba Prefecture. It was a long walk, and it allowed to me to contemplate all my recent adventures, moving house and my detention with Maniac High, the girl I had kissed in the whirlpool at Yomiuri Land after my release, my porn debut. I estimated that (based on current data) if I continued consorting with Maniac at the present rate, I might spontaneously kiss 20 girls over the next 5 years. How many kisses does it take to advance to the next breakthrough? I wondered, fingering my keitai's calculator. One could liken it to climbing a steep hill, each step becoming progressively more difficult, from mindsex to rapport, and then all the way to penetration. Or perhaps, the journey that spermatzoa take in their battle to fertilize the ova; a million souls might join in the challenge, but only one will hit their target, and achieve incarnation...

Traversing the Edogawa Riverbed Green Space, I noticed the Wayo Womens' University (和洋女子大学) ascending to the north-west. On my previous expedition on the river I had mistaken it for a shopping mall, and I imagined that I might find social stimulation there. Now it looked more like a Tuscan basilica. Whatever the case, there were no bitches to be seen in the vicinity of the school. I guess they were on holiday.

The Womens' University dropping behind me, as I ventured north (Japan, 2007)

Beyond the university the river, which until now had been bearing north-east, bent back to the west. Perhaps it was my imagination, but the landscape seemed to grow more rural too, more idyllic and abandoned. Houses and factories were thinning, with fields beginning to appear, many of them overgrown with weeds. Looking west through the summer haze, I could barely make out the skyscrapers of Shinjuku.

The towers of Shinjuku, visible to the west (Japan, 2007)

While I was getting tired, this contact with nature energized me... it amazed me to realize that such pastoral beauty could be found in walking distance of my apartment. 

Fishing in the Edo... in this island of nature in the city (Japan, 2007)

I came upon fields sprouting spring onions and other vegetables. Chiba is supposed to be the number one prefecture in Japan when it comes to spring onions, and they are a mainstay of Japanese cuisine.

Vegetable lots, in Chiba Prefecture (Japan, 2007)

Entering Matsudo City (松戸市) I encountered some kind of waterworks, an immense water treatment plant in fact, appearing to block my way. I swerved right, navigating a narrow path to a quaint village called Kuriyama, a short distance from the bank. I call Kuriyama a village because that is it appeared to me -- a lost village in the middle of the megalopolis. An island in the stream you might consider it, a pocket of Old Harmony that had been spared Virilio's mad urban rush, and his dromological doom.  Near the top of the hill there was a rustic temple, which is named Honkyuji (本久寺).

Honkyuji, in Matsudo (Japan, 2007)

Sometime later, Manic High sent me an MMS, inviting me to go see the fireworks with his family out at Setagaya. Much as I would have liked to chill at Shinozaki, watching The OC and Colombo on TV, I knew I was too young to retire so early. I found a train station at Konodai (国府台), on a line which I never knew existed, and began the laborious trip crosstown. I could sit down at least, and rest my aching legs. On a whim, I decided to rename Maniac "Dennis the Menace". It is what Meth calls him, and it has a nice ring to it. There is another Maniac High out there, and one day I might meet him.

Techscapes and Macrobiotic Highs: An Afternoon in Aoyama

Tokyo is the ultimate urban jungle and life here presents you with endless vistas of cunningly contrived concoctions of glass, concrete and steel, everywhere you look, and seemingly everywhere you go. Whether downtown or in the 'burbs, at home or on the streets, futuristic scenes surround you, seduce you, and astound you to the extent you start to feel like you're the star of your very own Blade Runner fantasy, playing in a cinema in another dimension. Futurism is the name of the game here, the dominant architectural theme, and it has been entrenched for so long it has written itself into the fossil record of the city, as well as the DNA of its inhabitants. It's a shrine to speed, a temple to technology; frenetic as a Drum&Bass track, and just as relentless. Sometimes it is just all too noisy, and all too totalitarian, and you long for a bit of old fashioned peace, a bit of the original 和 ("harmony", the former name for Japan). Interestingly enough, not all of the futurism in Tokyo is new, and some of it looks decidedly dated... that might seem paradoxical until you realize that futurism is a movement not an era, and tomorrow is a day that never dawns. Follow the tracks of the Yamanote Line between Kanda and Akihabara, for example, and you will find older incarnations of the genre, pylons, noodle shops dug under the train lines, slabs of concrete corroded by rust, untidy bundles of wires strung up wherever they will hang, and archaic air-conditioning vents spinning in the morning humidity... pretty it ain't but back in its time this was probably the most high-tech place on Earth, and the very vision of a glorious future. Who were the dreamers who imagined this city into being? I ask myself sometimes, when I am wandering around, what inspired their stupendous leap of imagination? If futurism is just a style, in other words, who invented it, and why? I believe that the official Futurism, the one that gets a capital F, was an Italian artistic movement, an anarchist movement of sorts with Fascist complications, which flared into life in the early 20th Century. Leading proponents of the movement, notably Filippo Tommaso Marinetti, Giacomo Balla, and Umberto Boccioni, glorified fast cars and rogue locomotives and good factory mud, scorned women, proclaimed that war was "the world's only hygiene", and proposed a Khmer Rouge style solution to the "problem" of tradition. According to the Futurist manifesto and the manifestos which followed, museums and libraries should be burnt to the ground or drowned, and the city torn down and built again, from scratch, by every new generation. "Time and Space died yesterday," Marinetti wrote in the first manifesto, published in 1909. "We are already living in the absolute, since we have already created eternal, omnipresent speed." I don't know if there was any direct link between the European Futurists and Japan, although the Axis would later lead them into an ideological marriage, for a short time at least. Perhaps it doesn't matter whether there was a connection or not, this might rather be an example of synchronicity, of the Jungian kind. The way I figure it, in modern societies we all have a vision of how the future should look, each according to our own hopes and fears: it could be hyper-consumerist, neo-communalist, conformist, the brainwashed masses of 1984, or the individualist paradise symbolized by the jetpack and the Martian colonies in the works of Robert A. Heinlein. Others might imagine a world which is pacifist, Deep Ecologist, or perhaps populated by Mad Max warriors roaming the deserts fighting Google and its cyborg spawn. Disparate visions these are indeed, but where they intersect collective dreams emerge, lowest common denominator blueprints: in our case rockets and the atomic bomb, freeways and the motorcar, more recently celebrity culture, TV, and the Internet. Everything shiny and sci-fi, mind you, everyone air-brushed and glittery (and on that matter, note that you never see rust on The Enterprise. Nor do they have any astrologers or Feng Shui geomancers on the bridge! Why is that? What kind of technocentrism is being pushed?) In Asia, things turned out shiny and sci-fi, too, but much of the detail is different. Why so? I speculate that there was in fact a homegrown futurism in Japan, a Zen/Shinto futurism, which culminated not just in the Mitsubishi Zero, but also Doraemon, Gundam, anime, and all these self-flushing toilets you find here today. Futurism may have dreamed of demolishing the ancient cities of Europe but it never succeeded there, the sway of the past was too strong. Tokyo, on the other hand, has always been a city in constant flux -- a chaotic frenzy of construction and destruction -- and Marinetti's Year Zero fantasies finally found their realization beneath a Pacific sky. Accordingly, I consider Tokyo to be one of the world's foremost "techscapes" -- an environment in which the landscape has been totally subsumed by the laws and logic of the megalopolis, and the technology which enables it. It is also a city so detailed, but yet so vast, you could spend years here and keep making amazing discoveries. I discovered something amazing today, actually, with my old girlfriend Akiko: the new Prada showroom in Aoyama. The latter half of this post concerns that discovery. A little earlier in the day, Akiko and I dined at one of Tokyo's quality vegetarian restaurants, Hanada Rosso, which the first half of this post will describe. All in all it was a very cool afternoon indeed, and the coolest aspect of the whole thing is, I believe that Paper Burning made it happen. It is a bold claim, but I stand by it!

High-tech beehive: Prada Showroom in Aoyama (Japan, 2004)

Branded as Tokyo's version of Milan's Via Montenapoleone and one of the top three shopping and entertainment hubs in the city, Aoyama (青山) and the neighboring Omotesandou (表参道) precinct is jammed with quirky boutiques, cute cafes, beauty salons, and even a United Nations University campus. There are plenty of restaurants as well, ranging from sushi joints to expensive French and Turkish eateries. Today with Akiko, a vehement vegetarian, I ventured to a classy macrobiotic restaurant called Hanada Rosso. Hanada Rosso has a policy which states, uncompromisingly: "Non-meat, non-milk, non-egg, non-chemical". When the menu appeared, Akiko and I both ordered the same dish: the Tempe-Burger, a tofu contrivance costing ¥1050. Possibly I followed her lead in ordering here, I am not sure why. But it was a good choice: not only was it delicious, but it left me with a peculiar feeling of satisfaction after eating it -- a kind of purity you might say, a sense of clarity, a macrobiotic high! I felt satisfied but not full at all. Perhaps it was because this food was spiritual food, free of harmful chemicals, lovingly prepared, with no bad dead animal karma to go along with it. Or perhaps it was because of the Korean Shizandra berry smart drug I had ingested just before the date, or even just because I was so glad to see Akiko again, after all our time apart!

Vegetarians visiting Japan often complain about their problems finding suitable food in the country. John Howley maintains a list of Japanese vegetarian restaurants on his website, mentioning only 20 establishments for the Greater Tokyo area -- a conurbation of 20 million people. So, that it is roughly one vegetarian restaurant for every million people (of course, there must be many which have flown under Howley's radar, but still, you get the drift!) Japan is not a vegetarian Utopia by any means, and this fact might seem surprising given its Buddhist past and all, the veneration shown to non-animate entities such as rivers and stones. People don't go heavy on the beef like they do in Australia or the States, but there is usually a certain amount of meat mixed into every meal in Japan -- even tofu gets doused in shaved fish! For vegetarians like my Akiko, trying to educate the masses, all this meat can make life a misery. However, there are vegetarian restaurants around, and if you are in Tokyo, I would recommend a visit to the Hanada Rosso. As well as a delicious range of main courses, the menu features organic beer and wine, soy shakes and organic coffee. The restaurant is located on the second floor of the Sleeve Building, 6-11-1 South Aoyama. The telephone number is (03) 3406 1264.

Having enjoyed a memorable hour or two at Hanada Rosso, playing some personality quiz games I have lately employed for nampa, it was time to hit the streets, and look at the surrounding attractions. We walked into the nearby Idee interior design shop to admire its ample Scandinavian and European displays. It was there, looking out the window, I caught sight of a particularly weird building in the distance, a building audacious even by Tokyo standards -- a crystalline pentagonal green pyramid which Akiko identified as the new Prada showroom. Although neither of us are brand label junkies (nothing could be further from the truth), we decided to make a beeline to the hive-like Prada showroom, to see what the fuss is all about.

Designed by Jacques Herzog and Pierre de Meuron, the building rises from the street like a kaleidoscope, covered with bulbous, diamond-shaped windows. Once inside, those bulbous windows start to distort your senses, making the showroom seem both very big and very small, both at the same time! In fact, "kaleidoscopic" is the best way to describe this building, which is more a piece of art than just a mere showroom. Things always seem to shapeshift when you are inside it. While the outside is green crystal, the interior is a kind of stark white/pearl color which is both soft (in the carpet sense) and futuristic, reminiscent of a UFO. TV sets dangle on stalks from the ceiling, like anemone hunting for prey. Stairs lead to deep-set lounge recesses, where windows afford views of local landmarks, such as Roppongi Hills. It is all very cool, and I couldn't resist snapping off some photos on my keitai phone, even though I was reprimanded for it. 

We ended the afternoon at a cafe where Akiko showed me her iPod, a device I had never seen up close before. Scrolling through her Beatles collection over a Cafe Mocha, I had to confess her contraption made my own Sony MP3 player look a little bit silly, a little redundant. Such a shiny toy her iPod was, high-tech, but also organic... in many ways it was just like the organic high-tech Prada Showroom we had just explored, or a polished stone in a shrine that had miraculously come to life, and revealed its spirit to the world! Like the Tempe-Burger I had consumed earlier in the day, just like that Shizandra smart drug, this gadget seemed designed to lift your consciousness into a higher state of being. It wasn't Japanese, but it was still Shinto, and it was still Zen. It was not only Zen, but it was also a vision, and a visitor from the future. A future which, even now, is slowly dragging itself into manifestation, into being. The iPods are merely the vanguards of what is to come. Much as I hate to admit it, the vegetarians are probably much the same. Thus we have been warned. Watch this space for more!