Cafe Vườn Kiểng is one of my favorite cafes/bars in Ho Chi Minh City, although it is kind of tedious to reach (if you come on foot, be prepared to dodge the trucks crossing the road here, Tôn Đức Thắng Street almost exactly opposite Mê Linh Square with its statue of General Trần Hưng Đạo). If you make it here alive, however, you might be tempted to stay here for the rest of the day. The cafe sits right on the banks of the Saigon River, and boasts relaxing views and plenty of refreshing breezes. On the brown waters of the river an endless procession of craft passes, usually sluggishly: there are container ships, barges carrying garbage or tonnes of soil, junks bound to the Mekong Delta or filled to the brim with diners, and ferries, many ferries, some of them designed like monsters. Opposite the cafe lies all green and tropical the Thủ Thiêm island, which survives as a bastion of rural Vietnam in the heart of the city. Remarkably, as of 2010 when I was there last there was no bridge linking Thủ Thiêm with downtown, so traffic had to queue cattlestyle before being ferried across the river. Two ferries seemed to work on the job all day long, and I never grew tired of watching them crisscrossing from jetty to jetty, loaded down with their motorbikes and cars. I just love watching people work when I am on holiday!
Cafe Vuon Kieng, on Ton Duc Thang Street, in Ho Chi Minh City (Vietnam, 2010)
If you ever look out the window of your plane coming in to land, you will see Ho Chi Minh City is lashed by any number of languidly lolling rivers. These rivers are the lifeblood of the city's trade, but they have also curtailed its development and limited its potential. Thủ Thiêm has been isolated until now (hence its charm), but there are big plans for its future. Check out the island's official homepage for a glimpse of what could be in store. If Thủ Thiêm does indeed become a new metropolis, then Cafe Vườn Kiểng would be ideally situated as a waystation on a hot, humid day. You could park your motorbike in the lot out the front, go in and sink a cold beer on the deck.
Watching the world slide by at Cafe Vuon Kieng, on Saigon River (Vietnam, 2010)
Cafe Vườn Kiểng: 10B Tôn Đức Thắng St, Dist. 1, Ho Chi Minh City, Vietnam. Phone: (08) 290 9410.
I am not normally fond of meals wrapped in pastry (unless they happen to be highly meat & cheese specific, the ultimate being the famed burrito of Amexico, or the mighty kebap of the Trung-dong, or the Dong-trung, or however they call the Middle-East in Vietnamese!) When it comes to largely vegetable or roots & shoots spreads wrapped in pastry I am afraid you are going to have to count me out, as John Lennon once asserted, defiantly. It doesn't look good, it doesn't crunch good, and I am not exactly sure why. Maybe I had the odd bad experience with monjayaki in Japan, or a soggy okonomiyaki in some park somewhere beneath the cherry blossoms. My mother always used to make me soggy sandwiches with prefreezed thawed out on the kitchen sink in the morning sun white bread when I was at school, in hicksville Australia. The slices of bread would still be icy while she was buttering them up, coating them with Vegemite. However, no need to fear bad cooking here -- the Vietnamese have a knack for kicking life into the types of food which often taste bland in other countries (Vietnam style rice porridge being a prime example). So, bánh xèo may yet surprise me. Many claim it is the best food to be found in southern Vietnam, and its popularity has spread to other parts of the world. For the uninitiated, bánh xèo (literally "cake sizzling") are Vietnamese crepes stuffed with pork, shrimp, and bean sprouts. If the photos on the Internet are anything to go by, the bean sprouts sure do outnumber the bodies of shrimps of the pieces of pork, and that is what concerns me. I am disturbed by the thought of biting through pastry to discover limp vegetable matter, soggy waterlogged vegetable pastry mush... that makes me want to barf. To intensify the greens factor, bánh xèo are wrapped in vegetable leaves... for example, mustard leaf, lettuce leaves, etc. Wrapping food in leaves and then plonking the finished product into a dipping sauce is a big tradition in Vietnam...
Chefs sizzling at their wo(r)k, in Ho Chi Minh City (Vietnam, 2010)
Why do they give bánh xèo the fiery, explosive name that they do? Noodlepie the lonely food nerd and conqueror of Indochina says: "While the recipe itself might be a piece of piss, getting it right requires a deft hand, a frying pan as hot as the sun and a nibble touch with the batter." As if to echo my aforementioned sogginess fears, Noodlepie carries on: "Bánh xèo pancakes should be crispy on the outside and ever so slightly moist on the inside. Leaving it hanging around too long and you've got a soggy savoury crepe on your hands and you don't want that, believe me..."
I have watched a few videos of bánh xèo being cooked, and it seems the secret to its explosive crispiness lies in the way the chef swiftly swirls the batter around the hot wok. In the photo above you can see a bánh xèo chef at work on his wok, halfway through the swirl. That's how they do it, Saigon street style. In the video below, you can see how the pro's do it at home.
To my western eye, they look like Indian samosas. Others have compared them with Cornish pasties. Noodlepie, that connoisseur of Vietnamese street food, says: "You can find this anytime-of-day snack all over town. Mine came served in an ingenious little snack pocket made of crumpled up magazine advertisement pages with a bag of sweet chili dipping sauce. They cost around 5,000VD a throw (US$1 = 15,700VD). The centre is filled with lightly spiced minced pork and onions. The pastry is fried to a thin crisp giving a satisfying crunchy-munch."
Not quite Banh goi, but in the same basic ballpark (Vietnam, 2010)
The thing in the photo above is not Bánh gối. I don't know what it is called, but maybe it is on the Bánh gối bent. It is in the same basic ballpark, to my western taste buds at least. I bought it from a bread shop across the road from the Cultural Park, near a proper Bánh gối streetstall, the second last time I was in Vietnam, mid 2010. Pikelet and Pie says: "Bánh gối, or pillow cakes, seem to be the curry-less curry puff of Vietnamese cuisine. Deep fried pastry perfection encasing a texturally diverse jumble of glass noodles, minced pork, wood ear mushrooms and thin slices of lap cheong. Crisp, flaky exteriors, flavourful fillings. Dip them in the your self-adjusted sauce and alternate mouthfuls with cold vermicelli noodles and plentiful fresh herbs..."
Sick of hanging round the house, I rose early and rode Busways #90 (ticket: AUS$4.60) over to Budgewoi, on the opposite side of the lake. The cops were arresting some dude at the interchange at Lake Haven while I was waiting for my bus... typical. There was a big mob of single mums and truant teens congregated round the commotion, rubbernecking, teeheeing, bumming cigarettes... standard. It seemed like it was going to be a warm day, which is usual in this part of the world, at this time of the year. Once the bus pulled up, however, it was all air-con chilled and comfy, if somewhat claustrophobic. Pushing through the scrum, I climbed the step, paid the driver, and took my favorite seat behind the midriff exit, the one fronted with its own perspex shield. Maybe it is because it is shielded that I like it so much, it seems to offer some protection against something, I don't know what. I pulled out my iPhone and was checking the news when I noticed my old Salvation Army mate Simon stepping up on to the transport, so I gestured him over to sit with me. He obliged me cheerfully, the bus took off, and we were on our way through the dewy, sun-sparkled, spider silk-strewn streets. A little bit later, on the approach to Toukley Bridge, my drinking partner Steve boarded, and took a seat in front of me. I am not sure if he recognized me or not, but I certainly recognized him. I am starting to build up a network of Negroes up here in the Wyong Shire, 18 months after moving here, I am getting to know the scene pretty well. People wave to me when I walk the streets, they beep their horns as they drive past me. It makes me think I have been here too long, and that it is probably time to roll the dice again, and jump to a new locale. Do another Quantum Leap, and materialize into a brand new life. I have still got a year to go before the jump, but the coordinates are already being plotted, the warpdrive readied for action! Soon I will be on my merry way, winging myself to a whole different city/country/civilization, and Australia will be just a memory (again.) Anyway, I had a bit of a chat to Simon before he got off, and told him some yarns from my time in Japan in exchange for a bit of his life story. He seems like a drifter to me, a natural nomad: originally from Leichhardt in Sydney, he now works at the supermarket at Lake Haven, and is looking for a decent place to live in the vicinity. He complained about all the hoops you need to jump through to make it with the landlords these days, the character references required by real estate agents, the proof that you have a job, etc. Listening to Simon talk, I felt my resentment rise. Why do they make it so hard for nomads like us? I wondered. What's up with all this Nanny State nonsense? It's discrimination, that's what it is! discrimination against those who don't fit the regular profile! Discrimination, in other words, against people like me.Simon bundled out once we hit Toukley to attend his interview with the real estate agents, and Steve disembarked shortly afterwards. I was all on my own in my fave seat as the bus lumbered on, through the backstreets of Norahville, taking me on a nostalgia trip of my early adulthood (I used to work at the newspaper here in 1994/95). Ahead of me, blonde-haired women were sharing tips on how to rort the Housing Department, while their blonde kids ran amok up and down the aisle. It is a very blond(e) blue-eyed part of the world here, and kind of a fascistic one... a welfare fascist state, if such a thing is possible. A whole lost tribe of Britons grown up feral among the gum trees and rainbow lorikeets, DNA bleached by the relentless sun. Flotsam and jetsam of a vanished Empire, washed up on to the Antipodean shore. Quite a few people up here are on the dole, myself included. Public transport in Australia seems reserved for folks like us. This is not Japan, where CEOs are humble enough to catch the train to work. Here in Oz humility is not a virtue anymore, and the CEOs probably get around town by helicopter. We turned on to Budgewoi Road and motored along past holiday homes, caravan parks, and even the odd golf course. Fibro shacks presently yielded on the right to a long, scrub-lined beach. This was Lakes Beach, in fact, and my mission for the day was to follow it homeward, back to Norah Head, where Wallarah Road would pick me up and carry me through Toukley to the Wallarah Bay Recreation Club. Where hopefully my Dad and a couple of beers were waiting! While in the area I also wanted to have a peek at Lake Munmorah, which the satellite pics claim is up here. I like to get a mental map of the geography, wherever I am living; I like to know my way around on foot, just in case I get lost and can't find my way back home.
Lake Munmorah, looking north and somewhat east, towards Newcastle (Australia, 2013)
The satellites were right... Lake Munmorah was up here, and I found it easily enough, near the sleepy retail heart of Budgewoi. The lake was smaller than I imagined, and its shores less developed than its companions up here, such as my mistress (Budgewoi Lake). Seaweed padded the bank like a rotting carpet, encasing within in it fallen tree trunks and pieces of driftwood washed up from God only knows where, the occasional strewn bottle of beer or crumpled aluminum can, packed full of mud. The coastal plain from Tuggerah to Newcastle is riddled with lakes like this one, perforated with them, and I have often wondered how they formed. My Mum reckons they all started as bays: the western foreshores of the lakes were once beaches on the open sea, augmented by headlands and river mouths, and all the other usual Australian coastal features. Over time the bays clogged up with run-off from the rivers, and sand bars surfaced offshore, eventually linking up to create shallow lagoons within their perimeter. Having colonized the sea, land was in turn colonized by life, and the sand bars were overlaid with spear grasses, shrubs, trees, possibly even a littoral rainforest or two. Animals moved in to consume the plants or those animals which fed on them: birds, marsupials, fruit bats, frogs. Invasions washed over the region like high tides on a sandy beach, like tsunami. Four waves of human conquest followed, the last of them the Anglo-Saxon wave, settlers lured by the promise of prawns and outdoor sports, cheap housing just a few hours from the suburban sprawl of Sydney. That's the whitefella history of this region, the local Darkinyung Aboriginal people doubtless have their own creation story. Since the whitefellas won, their version became history. And so it will remain, until the whitefella settlement is itself submerged, and thrown back to the bottom of the sea. I'd say it will happen sometime before 2200, courtesy of Global Warming! Thus we have been warned; thus we will be warmed.
From the lake it wasn't that far to Lakes Beach, through an arm of somnolent suburbia. I strode past Halekulani Bowling Club with its attendant courtesy buses, crossed the channel which connects Lake Munmorah and Budgewoi Lake. Budgewoi actually means "meeting of the two waters" in the local Aboriginal language, and I wouldn't be surprised if the name sprang from this very channel, the one I was lucky to cross today. I continued over the Central Coast Highway, its asphalt surface burning hot in the sun. Waves could be heard crashing reassuringly not too distant, and there was a soothing salt smell in the air. I looked forward to being able to walk along the beach, and feel warm, soft sand between my toes. But the ocean also provokes in me a fear which is close to primal, so I was a little apprehensive about getting close to it. When I walk along the coast it feels like I am literally on the edge of the Earth, and I worry about falling off. Kind of irrational, but that is how it feels. Perhaps it is a symptom of agoraphobia.
Michael's Walk floats across this meadow, on the Budgewoi Beach Circuit (Australia, 2013)
One thing I noticed during a previous trek up here is how dramatically the vegetation changes the closer you get to the sea, plant leaves growing waxy, forests giving way to heaths and meadows where grevilleas flower in their sclerophyllus pods, and tiny blue wrens flit between the grasses, twitching like cicadas. Many people might think that the Australian landscape looks the same wherever you go but once you get to know it, and let go of your preconceptions, you will see that it actually comprises a cacophony of tiny habitats, each with their own inhabitants, noisy miners for the open spaces for example, more mysterious birds for the thicker bush. There are kingdoms built on top of kingdoms on top of kingdoms, realms on top of realms on top of realms. If you know how to read it, there is a story to be learnt here. In a burst of creativity Divinity beget the elemental realm from which emerged, from Sheer Nothing, the stars and planets, the galaxies and black holes, time and space itself. Stars burnt for billions of years, then burst into fiery supernovas, generating the heavy elements in their death throes. On rocky worlds orbiting second generation stars such as our own these elements aggregated, giving birth to the mineral kingdom, sandy beaches and mountains, volcanoes and tectonic plates, wide oceans shimmering beneath their local suns. Amazing enough, but greater glories were to come, on the planets lucky enough to be in the right place, with all the right conditions (the Goldilocks Zone): from the dexterity of carbon molecules began to order themselves, spontaneously, into life. Thus arose the vegetable kingdom, the animal kingdom, the fiefdom of the fungi... and finally the most audacious creation of all, the House of Humanity, Self-Awareness manifested directly into flesh... As I traversed the sand drifts and scrub which bordered the ocean, I realized that the hot sun was making me thirsty. I looked out wistfully for a vending machine, but I knew I would never find one, not out here. I was on the edge of civilization, the interface of the cultivated world and the primeval nature from which it sprang. Even if there was a vending machine out here, it probably wouldn't work. This was not Japan, where green tea reprieves await you at every bend in the road, even way out in the wilds, near the summit of Mt Fuji. No, this was not Japan at all. I cut through the scrub, where volunteers had toiled to restore natural vegetation to the Pacific shore, and located some kind of path. The path (named Michael's Walk) led me to a boardwalk which floated over a patch of dry swamp. At the end of the boardwalk I found a sign describing the dune restoration project, dedicated lovingly to the memory of Julie Luff, a local resident and dunecarer.
In memory of Julie Luff, a map of the Budgewoi Beach Circuit Walk (Australia, 2013)
Just a few steps on, the ocean now in sight, I was stopped in my tracks by a crucifix hanging from a paperbark tree. The crucifix was emblazoned with the mysterious name, "Shane", and accompanied by a bouquet of wilted flowers. I stood mesmerized before this makeshift shrine for a moment or two, wondering who Shane was, and what had happened to him here. Was it an accident, suicide, or death by drowning? His spirit might well still be hanging around here, haunting this sun-scorched coast.
Michael's Walk, the dedication to Julie Luff, and now Shane's tree, I thought. It seems like every square inch of land here is named after someone!
Memorial to a guy named Shane (Australia, 2013)
Everyone tries to leave their stamp on things, something to signify that they had been here. Dogs piss on trees, and monarchs brand their heads on to their stamps and coins. Patting the bulge in my pocket as I made my way down to the beach, I pondered: Why are the coins so heavy in Australia, so clunky, so chunky? I would like living here more if the coins were more practical. A pedantic thought, perhaps, but I believe there is symbolism in everything, even especially in the currency, in the currency that a country chooses to use. What does the Australian 50 cent coin tell you about this country, anyway: that we are clumsy people, that we're ruled by a foreign Queen? The huge coins are like the huge pills the pharmacists expect you swallow... they are not user-friendly. Not like the pills or the coins in Japan.
Bird Island, off the Lakes Beach, in Wyong Shire, NSW (Australia, 2013)
I took off my thongs and tumbled down to the beach, ready to commence my long walk to Norah Head. My eyes running along the shore, I tried to imagine what it would like flying over this coast in a passenger jet, headlands falling away beneath me, sandstone glinting in the sun, coal ships queued up on the approach to Newcastle, that great port to the near north. A jolt of electricity passed down my frame, adrenaline squirting up my arms, towards my hands. It was too much to think about, even to simulate it. My phobia was too strong. Mild despair gripped me, and a sinking feeling... when was I ever going to get off this rock? I remembered a month or so earlier, during an anxiety attack, I had been afraid to even look at the stars in the night sky, due to the overpowering sense of dread they engendered. To gaze upon the face of that naked immensity, that colossal emptiness, is truly a frightening thing... an entire Universe twinkling in the sky above, all those stars and floating worlds, stretching away remotely, but yet bearing their presence forcefully upon yours. That's the thing living in Australia, you see a lot of stars at night. You are dreadfully exposed. Beneath our feet, things are no less comforting. What really goes on down there, anyway?
Tumbling down the stairs on to the warm sands of Lakes Beach, near Budgewoi (Australia, 2013)
Sometimes these days it feels as if I am living in a floating world, cast adrift on a rising tide. The ground beneath my feet seems solid enough, but I know that the whole continent is riding like a raft on a magma sea, creeping north, irrepressibly. Above me the sky, that infernally cheerful blue sky... what could be more steadfast than that sky you might think, what could be more dependable? But like the ground, the blue sky is a deception, a lie... you could even call it a mirage. The sun is not yellow at all, it is white, and the blueness of the sky is merely an effect, caused by the scattering of the solar radiation through the atmosphere. As Einstein boldly proclaimed, we are all trapped in our own little bubbles of relativity only rarely encountering all the other floating bubbles out there, like ships passing in the night. Rare is the man or woman intuitive enough to notice when the bubbles bounce against each other in a momentary collision, soft film walls yielding ever so slightly. Rarer still is the man or woman who can pierce the film which separates our floating worlds in a resounding pop!, and dive through the mirror from one universe into another, merging with it, breathing underwater.
It was a wet and windy Christmas 2012, the rain often driving, and the general gloom more reminiscent of last year's La Niña than the wannabe El Niño we are experiencing now. Of course, Christmas in Australia is not meant to be cold, and in anticipation of a summer scorcher my Mum had scheduled a spread of seafood for lunch, to serve as an alternative to roast turkey and ham. The plan was to sit out in the shade by the lake, drinking cold beers and pigging out on oysters, cold prawns, Balmain bugs (a relative of the lobster), and barramundi. My Mum probably assumed all this chilled fare would chill us out, both physically and figuratively. What she didn't realize, however, was that some of these foods (such as the lobster) are actually considered warming foods in Traditional Chinese Medicine (TCM), and heat up the body even more than the oldschool Christmas turkey and baked potatoes and ham!
Cold prawns, oysters, lemon, and wakame (Australia, 2012)
In other words, you won't necessarily get a cooling effect from eating prawns and oysters on a hot day, no matter how long they've been kept in a fridge (according to TCM, at least!) That said, my Mum had got something right by dishing up a bowl of Japanese wakame seaweed salad, to complement the seafood. A type of seaweed, wakame is classed as a cold yin food, and is thus perfect for summer. Like many Japanese foods, wakame has some awesome health benefits, and is packed with valuable nutrients, making it a superfood. Even more astoundingly, wakame is purported to cleanse the body from toxins including radiation poisoning! Just before I left Tokyo last year, in the alarming aftermath of the nuclear meltdowns at Fukushima, there was a huge rush on seaweed products, everyone was stocking up on them in the belief that it would protect their thyroid glands from contamination. The ancient east Asians knew of seaweed's detoxifying powers, and made use of it in their medicine. As it turned out, Christmas Day was rainy and cold, so we didn't need any extra yin in our lunch this year. In fact, we could have done with a bit more yang! (For more on the yin/yang properties of food in TCM and how they can improve your health, click here.)
What kind of traveller are you? Have you ever wished there was a website or app which understood you so well, it could choose where you went on your next trip away... and then find some buddies to go there with? PixMeAway might be just such a device... not quite the personal assistant of sci-fi movies, but definitely a step in the direction! PixMeAway relies on parlour game psychology (what the Japanese might call kokology) to determine your personality type, and then suggest to you the type of holidays you would be interested in going on. More specifically, it uses images, rather than text, and for this reason has been described as the world's first image-based search engine. As a community, PixMeAway is obviously aimed at those who relate more to images than text, especially when they are making travel plans. Upon visiting the site, users are directed to a screen of Polaroid style photos. Some of these photos are of famous icons (such as the Sydney Opera House), others show backpackers trudging along a beach, or snowboarders. You have to pick at least three of the photos which appeal to you, without thinking about it too much; in true kokology style, your choice is supposed to reflect your feelings. I chose, in this order, a photo of a church in a northern grassland, Stonehenge, and the Pyramids of Giza. I would have included something on an Asian or Indian bent, but for some reason I didn't notice the photo of the saffron-robed monks in front of an ancient temple (maybe that was subconscious omission, or maybe the pictures are too small.) Or maybe I am just all Asianed out at the moment! Anyway, PixMeAway concluded from my picks that I was a mix of Charlotte (85 per cent), Toby (74 per cent), Olivia (68 per cent), Amelie (27 per cent), Archie (28 per cent), Max (16 per cent), and Rocky (13 per cent), these being the seven archetypes it employs. Not quite Jungian archetypes, but definitely a step in the direction. Charlotte is described as a connossieur and a "culture lover", interested in "history of ancient civilizations, art & culture, first-class hotels, dining at the best restaurants, comfortable interior." PixMeAway informs me: "The way you travel is distinguished by exclusivity formerly known as mundane. You are convincing with your peers just as with your projects. Your weak spot for art and culture doesn’t stop at foreign destinations and lead you directly to the best museums, opera houses and much more. Interested as you are, you see travelling more than just a mere change of your everyday life. You also want to be part of the history of your chosen destination. You are also willing to speak the language and experience its traditions. But comfort is nothing to be neglected as you prefer to accommodate yourself in hotels with the brightest stars..." Spot on about the culture vulture stuff, wrong about the hotels... when I finally make it to Cambodia and Laos, I intend to practically live in youth hostels. Maybe I should have picked more pictures! But whatever... I'll take it. Click acceptance of your archetypes, and you're through to something a little more interesting, and practical: some actual travel destinations. According to the website, Harari (Ethiopia), Sonora (Mexico) and Wakayama Prefecture (Japan) are amongst the top recommended destinations. Since I am planning to spend the next 15 years in Asia/Africa, I narrow my search down to those two continents, and proceed to the next stage.
The Pyramids of Giza, Egypt, seen from the ground looking up.
After this somewhat hokey introduction, PixMeAway actually does pack some decent resources, once you get into it. It is sort of like an interactive Rough guidebook, with more pictures and less words, and driven by social media. If you ever want to stay at a pension in Eritrea or Benin, the website can help you make a booking, or direct you to the nearest bowling alley. You can read recommendations made by those with the same interests as you, according to your profile. Presumably you can meet up with some of these folk and travel with them, but I suppose you have to be a member to do that.
The canals of Venice, Italy.
PixMeAway's CEO points out that 500 million would be travellers are not sure where they want to go, and his community is intended to give them inspiration and ideas. As someone who knows very clearly where he wants to go (everywhere!), I don't think PixMeAway can really help me. If I need a community to hook me up, I would rather rely on Couch Surfing. Which is exactly the last place a true Charlotte would go looking for accommodation!
Last year I had the chance to talk to Lawrence Gibbons, plus some other concerned inner-city cats, about the sad and sorry decline of Oxford Street, Sydney's original Golden Mile. I must have missed this story while I was away in my 10 years in Japan; when I left Sydney in 2000, Oxford Street was one of the trendiest parts of the city, and certainly one of the most colourful. Nearly every March I would cram in with the throngs on the side of the road, shirts off and hopping, as the Mardi Gras floats made their hectic way beneath the rainbow flags. Mardi Gras is still held every year, but it doesn't seem the subversive festival that it used to be... perhaps somehow it is a little tired? Or maybe I am the one who is tired of it! Furthermore, back in the day, Oxford Street was the place you picked up imported dance music, trance and techno, drum&bass; throbbing beats spilt up dark stairways, out of shopfronts on to the pavement, promising rare treasures. I am sure those record stores are still around, but surely they must be a little redundant now, in this age of the digital download? Who wants to spin vinyl these days, anyway, when there is a whole universe on your iPhone? Who buys clothes on Oxford Street, when the prices in Australia are so obscene? According to Lawrence Gibbons, president of the LOVE 2010 Business Partnership of local businesses, there has indeed been a retail flight from the Golden Mile, and a collapse in daytime trade. Oxford Street still rocks at night, perhaps even more so than ever... but it takes more than pubs and clubs to make a community, Gibbons reckons. Exacerbating the problem, the Roads and Traffic Authority (RTA) treated the Golden Mile like a thoroughfare, with cars and buses flying along it out of the city, to Bondi.
Oxford Street, Sydney's famous "Golden Mile" (Australia, 2005)
Sydney's Lord Mayor Clover Moore (the woman they should not ignore) agrees that Oxford Street is in a bad state, and said she sees art as being part of the solution. "It is a centre of intense night-time activity yet suffers from perceptions of a lack of daytime trade, imbalance in the business mix and safety issues," Moore said in a 2011 mayoral minute. "The intensity of daytime traffic, which includes more than 200 buses per hour, and exacerbated by RTA's removal of parking and creation of clearways, also severely impacts on Oxford Street as an attractive destination." Another mayoral minute put out in 2011 goes on to say: “Artists living and working in an area bring a vibrancy, diversity and bohemian feel. Due to the high cost of living, gentrification and increases in the rental market artists are being forced out of the City. The City of Sydney owns a number of buildings in the Oxford Street Cultural Quarter that may be appropriate for conversion into use for the creative industries as retail, studio and exhibition spaces.”
In line with this vision, the City has announced cheap rents for artists in 16 underused areas on Oxford Street. On top of that, enterprising creatives are colonising otherwise vacant spaces with a new style of retail, known as the "pop up shop". This year we have seen, springing up like beautiful weeds in a discarded parking lot, pop up cafes, pop up boutiques, a pop up Nike outlet, and now the most innovative of them all, a Pop-up indoor camp site. These shops and cafes and urban camping sites are not supposed to last forever; they are meant to be ephemeral.
There is something Hakim Beylike in this process of moving into the cracks and crevices, left empty by the retreat of High Capitalism, and creating something beautiful. Even especially if they are fleeting. Pop ups are transitory, nomadic, Vagabondist... just like me really! Now, I know a Nike outlet might not exactly satisfy Bey's vision of the Temporary Autonomous Zone, but I still think it is kind of cool. A lot cooler than parading around on Mardi Gras, anyway, pretending that you are changing the world!
